In what ways does you media product use, develop or
challenge forms and conventions of real media products?
Additionally, Goodwin states that music videos might also
be used to amplify emotions and moods, without completely illustrating the
song. In terms of this suggestion, my music video conforms perfectly, due to
how the sad mood and sense of loneliness is displayed by the character in my
narrative, capturing the essence of the song, whilst creating a completely new
storyline. This grasps the audience’s attention, keeping their interest the
whole way through, until the part where the character steps on stage and starts
doing a live performance at the end of the video; where it is revealed that the
male has died as she is doing a tribute about him.
Moreover, in terms of the representation, I attempted to
create a sense of innocence and freedom within my music video. I did this
essentially using mise-en-scene. For instance, by filming the majority of the
video in the woods, this created a feeling of carelessness, which was essential
to be portrayed as it fit into the storyline which hints that the young girl
has been very sad about her lover's death and she is not able to see him ever
again. Another way this was portrayed would be in the costume and make up of my
model. Dressing her in a black dress, with black boots, clear complexion gives
an essence of the past, reinforcing the idea of the character cannot do
anything about the past and may as well stop caring. This idea complements my
song choice as within it are references to childhood memories that could make
audiences feel nostalgic: “you took my soul and wiped it clean”.
My music video fits into the alternative rock music genre,
due to the footage within my product echoing many shots used in music videos
for artists such as Kodaline, Muse, and Example. An example of this is my focus
on nature and the colour black. Wide angle long shots of the sun peering
through the trees and bushes towards the camera are typical shots that are used
in order to create a calm feel to the video which some may say may not be a
convention of rock music, as the songs usually aim to make the listener feel
excited, aggressive, and tense – in contrast to perhaps indie/folk music that
aims to make the listener feel calm and peaceful.
My focus on locations is what makes my music video so
visually pleasing. Finding a lot of trees and different logs in order to place
lyrics to film my last scenes in helps to target my video at the right
audience. Those who listen to Alternative Rock music will enjoy the outdoors
and will also have an interest in soft rock music. Therefore, the locations
within my video are easier for my audience to identify with. On the other hand,
those who listen to alternative rock music who live in city areas might find
great joy in enduring within footage outside of their normal environment,
creating a sense of escapism. My video would essentially appeal to young girls
and boys, those from 12-24. This is because the band 'Kodaline' is in fact
aimed at that age group. Their lyrics clearly portray this – therefore largely
appealing to those of a similar generation. In result, I carefully picked my
main actress to appear as a young girl, small in size and petite. This is so I
could ensure that my audience would feel a personal identification with my
actress, helping them to feel more engaged with the narrative – which also
means my video applies to Bulmer and Katz' Uses and Gratifications theory.
My video reinforces the concept of how the actions you make
have an impact on other people’s lives as well as your own, in the form of a
linear narrative. The story begins at the start of the young girl getting ready,
in which we see her brushing her teeth, putting her clothes on, and putting
some make up on– reinforcing the audience's concept of rock artists. However,
the restrictive narrative ensure that occasional shots to a different location
which in this case is at the woods; accompanied by shots of the main character
walking through the trees with the sunlight directly on the cameras highlight
some negative aspects of rock conventions.
This could make my story slightly abstract, as it is not until the end
that it’s revealed that the man who is 'figuratively' singing those lyrics to
her is actually dead. The use of the sun
reflecting through the trees and grass and onto her face gives the character a
positive aura, making audiences feel sympathetic for her as she is facing
relationship problems.
Magazine Advert
My magazine advert conforms to the conventions of
real-media products in relation to the Alternative Rock genre. The artists name
is written clearly at top, ensuring to grasp the attention of Kodaline fans.
their name is written in the same way it is on the Digipak – this creates a
Rock Style and a common theme – so the artists products are easily identified
each time. The title of the album is simply placed on the page, so that it
sticks in the readers memory. I featured five-star ratings and quote such as:
“Our of the world” and “Their best album ever” by popular magazines and
newspapers such as NME and The Times, in
order to give the album a feeling of success, which audience members will
appreciate as they will know spending their money on this album will not be of
waste. The language I used to describe the album fit into the genre, as
Kodaline's target audience will enjoy soft
music, which I feel the words I have used represent. The image of the rain
which is a part of pathatic fallacy also fit into the theme of my music video,
as it is set in that type of emotion and also conforms to the ‘rocky
-aggressive’ convention that my target
audience will probably be used to. I created one in portrait and one in
landscape; this is because I wanted to ensure the album could be advertised in
various places, for example, a bus stop advert in portrait and also perhaps a
billboard in landscape.
Digipack Cover
The CD holders and back page are all photos of trees/nature. This is because I am trying to convey the tone of the album, highlighting the soft type of music Kodaline sings. Target audience members of rock music will instantly associate themselves with albums of this look. The filters on these photos make the leaves and scenery appear sunlit and warm, making the album more appealing and eye catching. I also included a record label logo of ‘Fame records’ so that industrially audience members will begin to recognise the record label and associate it with this genre, helping to advertise the artist and the company at once. The copyright details are also included as well as typical generic conventions such as a track list and a barcode. These all contribute to making my product look as professional and as close to real-life media texts as possible.
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